At the same time, window captured the popular imagination by virtue of its translucency. You could start to see the color of wine in a beaker, or how well a bottle was filled regardless if it was sealed -- which could not be said for the purpose of items made of pottery, or indeed of bronze, components, or gold. The production of wine glasses soared inside the Augustan era, actually producing the demise of some of the pottery workshops that centered on traditional beaker types. It absolutely was glass's distinctive property of transparency that stimulated the Emperor Nero's tutor, Lucius Seneca to observe that "... Apples seem more beautiful if they are floating in a mirror. " (Investigations in Organic Science I. 6). And, from the middle of the first hundred years A. D. onward, squared-sided glass bottles -- commonly with capacities in the half- to one-liter range -- were used for a great deal of the short-range movement of liquids such as olive oil and the well-known fish sauce known as garum. Thus the industrialization of glassworking in the Augustan time came about through the influence of three distinct forces: Initially, by virtue of certain historical incidents (Augustus's rise to electricity and his promotion of craft-centralization on the Italian mainland); second, because of a technical innovation (the invention of glassblowing in a single of Rome's eastern provinces); and third, the public pressure related to fashion or taste (a traditional hyperlink between perfumery and Roman funerary ritual). Change in the Roman glassworking industry was always most dramatic when all three of these forces came together at one time. At the height of its popularity and performance in Rome, glass was present in nearly every aspect of daily life-from a lady's early morning toilette to a merchant's evening business dealings to the evening cena, or dinner. A glass alabastra, unguentaria, and other small bottles and boxes scheduled the various oils, perfumes, and cosmetics used by nearly every person in Roman society. Pyxides sometimes contained jewelry with window elements such as beads, cameos, and intaglios, made to copy semi-precious stone like carnelian, emerald, rock crystal, sky-blue, garnet, sardonyx, and amethyst.
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